PresonusQuantum 2626
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MIDI Interface,Pro Audio
Description
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The PreSonus Quantum 2626 represents high-end audio interface technology in order to allow low roundtrip latencies, offering 24 bit, 192 kHz fidelity when recording and monitoring. The I/O count stands at a whopping 26 inputs and outputs, including 8 XMAX Class A mic preamps with quality converters for utmost clarity and dynamic range. Its rugged all-metal chassis guarantees durability, while the compatibility with most popular recording software for macOS and Windows makes it ideal for professional studios or home setups.
FEATURES
- 26x26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
- 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
- Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
- 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus's famed XMAX preamps
- 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
- ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- MIDI I/O and BNC word clock I/O with low-jitter clocking
- PreSonus® Studio One™ Artist and Studio Magic Software Suite included
- 1U rack-mountable, with all-metal chassis and metal knobs
SPECIFICATIONS
| Connectivity | Thunderbolt |
| Headphone Jack | 1/4” TRS Female, Stereo, Unbalanced |
| Phantom Power | +48 VDC |
| Signal Level LED | Clip: -0.5 dBFS, Signal: -50 dBFS |
| Voltage Requirements | 100-240 VAC, 50-60 Hz |
| Color | Black |
| Product Name | Quantum 2626, Black, 120V |
| Series | Quantum |
| ADAT Optical I/O | Toslink™ Connectors, ADAT/SMUX Formats |
| SPDIF I/O | RCA 75Ω Coax |
| Word Clock I/O | BNC Connector, 4.5 Vpp @ 75Ω Load |
| Instrument Inputs Dynamic Range | > 106 dB (A-Weighted, Minimum Gain) |
| Instrument Inputs Frequency Response | 20 Hz to 20 kHz (±0.2 dB, Unity Gain, 48 kHz) |
| Instrument Inputs Gain Range | 60 dB |
| Instrument Inputs Maximum Level | +15 dBu (Unbalanced, Minimum Gain) |
| Line Inputs Dynamic Range | > 118 dB (A-Weighted, Minimum Gain) |
| Line Inputs Frequency Response | 20 Hz to 20 kHz (±0.05 dB, Unity Gain, 48 kHz) |
| Line Inputs Impedance | 10 kΩ |
| Line Inputs Maximum Level | +18 dBu (Balanced, Minimum Gain) |
| Line Inputs Total Harmonic Distortion | < 0.005% (1 kHz, Minimum Gain) |
| Microphone Input Connection Type | XLR Female (Combo), Balanced |
| Microphone Preamp Dynamic Range | > 110 dB (A-Weighted, Minimum Gain) |
| Microphone Preamp Equivalent Input Noise | < -131 dBu (Maximum Gain, 40Ω, 22 kHz BW, A-Weighted) |
| Microphone Preamp Frequency Response | 20 Hz to 20 kHz (±0.15 dB, Unity Gain, 48 kHz) |
| Microphone Preamp Gain Control Range | 60 dB |
| Microphone Preamp Input Impedance | 1.6 kΩ |
| Microphone Preamp Maximum Input Level | +10 dBu (Balanced, Minimum Gain) |
| Microphone Preamp Total Harmonic Distortion | < 0.005% (1 kHz, Minimum Gain) |
| Product Depth | 7" (17.8 cm) |
| Product Height | 1.75" (44.45 mm) |
| Product Width | 19" (483mm) |
| Power Cable | 12 VDC, External Power Supply |
| Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 (kHz) |
| Headphone Outputs Dynamic Range | > 110 dB (A-Weighted) |
| Headphone Outputs Frequency Response | 20 Hz to 20 kHz, +/-0.5 dB |
| Headphone Outputs Impedance Working Range | 16Ω to 300Ω |
| Headphone Outputs Maximum Output | 175 mW/Channel (56Ω Load) |
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